This blog is sort of an informal companion to a colloquium we hold here at Weber which is also called "I.T. in the University." Recently we had the privilege of reading Science Fiction and Computing: Essays on Interlinked Domains which was edited by Eric Swedin and David Ferro who are colleagues of mine here at Weber. The below is a guest post by them.
Most students of the history of science and the history of technology will remember “the two cultures” from their education. The phrase comes from the English molecular physicist and novelist C. P. Snow who described in The Two Cultures and the Scientific Revolution (1959) that a gulf of understanding existed between scientists and literary intellectuals. The people within these two cultures understood their own cultures, but scientists often did not appreciate the humanities, and humanities-oriented intellectuals did not understand science. Snow advocated education to overcome the ignorance on both sides.
The two cultures is a living reality even today and that the divide still exists is obvious on many college campuses. Professors tend to dialogue only with professors in closely related disciplines and students often find themselves drawn either to science, technology, and engineering, or to the arts and humanities. They learn different languages and different values about what is important. A good example is the arts and humanities student who dreads taking a science class because they just see mountains of memorization and a way of thinking that bewilders them. They think of a math class as an act of cruelty. Of course, a science or technology student who is sent off to take their general education class in literature looks at a pile of novels that they have to read for class as nothing less than torture. They find the novels boring and the discussions to be vague and full of opinions unsupported by any sort of methodical thought.
This divide is most unfortunate and people on both sides need to make the effort to learn about information from the other side of the divide, even if is material that does not interest them. The authors of this guest blog entry have straddled this divide through doctorates from the arts and humanities side of the divide and considerable experience in teaching both computer technology courses and history courses. One of the areas that drew our interest was science fiction. It is often thought that people on the science and technology side of the divide have no appreciation of literature, but that it not true. They just have their own literature.
We will not go down the rabbit hole of defining exactly what science fiction is, because there is no common agreement on an exact definition. Much of the best science fiction is based on an understanding of science and technology and readers who do not have that background come away frustrated and bewildered from reading science fiction. They cannot fill in the blank spots to evoke a sense of wonder that is often found in science fiction. An appreciation of science fiction can build bridges between the two cultures as one side learns to appreciate humanities beyond just science fiction and the other side learns enough about science and technology to appreciate science fiction as genuine literature.
As computer experts, one in a Computer Science program and the other in an Information Systems program, we often noticed how many people in our fields that we knew liked science fiction. This was particularly true of the students and professors in our field who were the top performers. We wondered if we could document a connection between computing and science fiction. This led to some articles and then to a volume of interdisciplinary essays that we edited, Science Fiction and Computing: Essays on Interlinked Domains (McFarland, 2011). We found strong linkages.
Science fiction has often provided terms, concepts, and a milieu of technological enthusiasm for pioneers in the computer field. Science fiction also provided ways for computer innovators to talk about where they thought computers were going. More research needs to be done on the linkages between science fiction and computers, a wonderful opportunity for different academic disciplines to talk to each other, and we hope our book helps that conversation along. We also hope that our book will encourage academics, educators, and other people to think about how we can bridge the two divides in our intellectual culture. We need academics and students who are grounded in science and technology to appreciate the contributions made by the arts and humanities, and for the reverse to be true.
Friday, December 9, 2011
Sunday, November 27, 2011
"From Behind The Safety of the Internet's Vast Perspex Shield"
On the Music For Deck Chairs blog, the author (who wishes to remain anonymous) makes some interesting observations on the recent pepper spraying of UC Davis student demonstrators by a UC Davis police officer. The subsequent footage of the chancellor making her way past a gauntlet of silent students is also very moving. In spite of these images, Music For Deck Chairs cautions us not to be too judgmental "from behind the safety of the internet’s vast perspex shield" (I love that phrase). For sure, none of us want to model our behavior after that of Officer Pike, but some of us in IT are also guilty at times of colluding with hierarchical thinking. It's still unclear whether the UC Davis protests and the Occupy movement will have the impact that the Tea Party has. But I don't want these things to go by completely unnoticed on this blog -- especially since there is still a tangential connection to IT and the university. I've reposted my comment to Music For Deck Chairs below:
To segue from your last paragraph I’m reminded of David Noble who probably would have seen resonances between the actions of officer John Pike and initiatives of elearning administrators (I draw the connection only because your blog is dwelling on both). Here is what he says in Digital Diploma Mills:
“Once faculty and courses go online, administrators gain much greater direct control over faculty performance and course content than ever before and the potential for administrative scrutiny, supervision, regimentation, discipline and even censorship increase dramatically. At the same time, the use of the technology entails an inevitable extension of working time and an intensification of work as faculty struggle at all hours of the day and night to stay on top of the technology and respond, via chat rooms, virtual office hours, and e-mail, to both students and administrators to whom they have now become instantly and continuously accessible. The technology also allows for much more careful administrative monitoring of faculty availability, activities, and responsiveness.”
This isn’t to say that all forms of “collusion with hierarchical thinking” should be conflated. But as I think you are saying, we better check carefully to see whether our own houses aren’t made of glass before shaming other people too stridently.
I wonder too, whether that process of shaming will lead to positive social change or something else besides. Sometimes the shaming of egregious repression of social protest has resulted in positive social change ( for example, Bull Connor’s actions in Birmingham were ultimately a P.R. victory for the civil rights movement). But the irony of the UC Davis protests is that the students were there because they were objecting to a tuition hike. Those hikes, while due to many things, have at least a tenuous connection to the Berkeley protests of the late 60’s. Those earlier protests were stirring but they also alienated some Californians who weren’t interested in romanticizing the academy as a virtuous fifth estate. That alienation played a role in the election of Reagan and the defunding of California higher education. So yeah, we need to take inspiration from the Mario Savios of the world, and all those who are bold enough to choose the risks of civil disobedience over the cowardice of little-Eichmanns. But we need to do this in a way that keeps the university in the good graces of the taxpayer and the constituencies who are a little less strident in their condemnation of people whose jobs require the strict following of orders. What then is the best way forward?
To segue from your last paragraph I’m reminded of David Noble who probably would have seen resonances between the actions of officer John Pike and initiatives of elearning administrators (I draw the connection only because your blog is dwelling on both). Here is what he says in Digital Diploma Mills:
“Once faculty and courses go online, administrators gain much greater direct control over faculty performance and course content than ever before and the potential for administrative scrutiny, supervision, regimentation, discipline and even censorship increase dramatically. At the same time, the use of the technology entails an inevitable extension of working time and an intensification of work as faculty struggle at all hours of the day and night to stay on top of the technology and respond, via chat rooms, virtual office hours, and e-mail, to both students and administrators to whom they have now become instantly and continuously accessible. The technology also allows for much more careful administrative monitoring of faculty availability, activities, and responsiveness.”
This isn’t to say that all forms of “collusion with hierarchical thinking” should be conflated. But as I think you are saying, we better check carefully to see whether our own houses aren’t made of glass before shaming other people too stridently.
I wonder too, whether that process of shaming will lead to positive social change or something else besides. Sometimes the shaming of egregious repression of social protest has resulted in positive social change ( for example, Bull Connor’s actions in Birmingham were ultimately a P.R. victory for the civil rights movement). But the irony of the UC Davis protests is that the students were there because they were objecting to a tuition hike. Those hikes, while due to many things, have at least a tenuous connection to the Berkeley protests of the late 60’s. Those earlier protests were stirring but they also alienated some Californians who weren’t interested in romanticizing the academy as a virtuous fifth estate. That alienation played a role in the election of Reagan and the defunding of California higher education. So yeah, we need to take inspiration from the Mario Savios of the world, and all those who are bold enough to choose the risks of civil disobedience over the cowardice of little-Eichmanns. But we need to do this in a way that keeps the university in the good graces of the taxpayer and the constituencies who are a little less strident in their condemnation of people whose jobs require the strict following of orders. What then is the best way forward?
Monday, November 21, 2011
Digital Humanities in the University
I've been regretting that my blog has such a pedestrian title,
especially when I compare it to some of the other blogs I've been
browsing like CogDogBlog or BavaTuesdays. Unlike those mysterious
titles, mine has little irony. It doesn't prompt the reader to keep
asking what it means. And the phrase "I.T." can sound uninteresting.
The first vision that may come to mind is a bunch of mainframes and Cobol programmers wasting away in non-descript tan cubicles. That
stereotype, as it's witheringly pictured in the movie Office Space, or
as I lived it while doing Y2K patching in the late 90s at Ashland Oil
Company, is certainly a part of what I.T. is. And I suspect those faculty
I'm friends with who don't quite know what I do at work, think these
images sum it up.
Fortunately, the culture of IT, in the university at least, isn't usually as corporate as that vision. We have our share of practitioners who wear suits, and who wax excitedly about books like Who Moved My Cheese, or Seven Habits of Highly Successful People. But the reality is that IT in the University is a lot more than all of that.
On this blog, for example, I've been trying to highlight the digital humanities which are very much a part of I.T. in the university. A nice synopsis of what this IT initiative is can be found in a recent Chronicle article by Kathleen Fitzpatrick. But the fast and short story is that the digital humanities are two things. First, humanities scholars are increasingly using digital tools in their teaching and research. Second, the frameworks and approaches that humanities scholars use offer incredibly insightful perspectives for making sense of what I.T. is, where it should go, and it's role in forwarding the missions of the university.
To forward those activities some universities have established digital humanities centers (a flagship one for example is George Mason's Center for History and New Media). But even on campuses which don't have formal centers, it's easy to uncover how much they can serve (and be served) by university I.T. I'll leave a comprehensive survey of these service roles for a later blog post. But for now I want to list three digital humanities concerns that I came across last week while on my own campus. They aren't necessarily the most powerful examples or most salient digital humanities initiatives on campus (I'm leaving out for example the whole range of activities that our media scholars do in English and Communications -- including but not limited to Michael Wutz's research on emerging 19th century media and Sheree Josephson's research on computer-human interaction). But I draw attention to them simply to illustrate that digital humanities concerns are a pervasive and topical presence on campus even outside of the areas where one would ordinarily expect to find them. (If you don't care about what's happening on my local campus you might skip the italicized stuff below):
1) On Tuesday I was working with some students who were about to read Henkin's fine history of the postal service in 19th century America. To spark their curiosity I mentioned that many of the concerns that we have about emerging media now are echoed in 19th century Americans' reactions to changes in postal services. For example, when the postcard first came out in the middle of the 19th century, Americans expressed worries not unlike those worries we now have about the abbreviated messaging that happens in texting and twittering. We then dwelt on challenges of salutation (which were as much an issue in the postcard as they are in email), which in turn morphed into a discussion of the manner in which proliferating media are eroding traditional institutions of authority (the recent audience disturbance during Weber State's performance of Beethoven's 9th was mentioned as an example). After class, a couple of students noted that it wouldn't be a bad idea to have some classes on netiquette. A digital humanities center could do this and more, Rather than merely teach polite practices for the online world, it could lead us to examine how issues of authority, familiarity, cordiality, and social relations more generally take on new forms in the digital age.
2) On Thursday I met with two Weber State professors who recently published an anthology titled Science Fiction and Computing. (I hope to post a transcription of that conversation here in a few weeks). Like many anthologies, it covers a lot of ground. But one thread that was particularly noteworthy was the insight that science fiction plays an important role in helping readers to sort through the moral challenges that past and present technologies have (and are) presenting us with. While science fiction is sometimes seen as a form of techno-porn or technophilia, it actually also plays an important role in developing and evolving our understanding of IT. It goes without saying that this too is a topical example of the digital humanities at work within our university.
3) My spouse, who recently published Homesickness: An American History, spent five years doing archival research to determine that the once popular sentiment of homesickness has given way to nostalgia. Instead of indulging homesickness, the modern American economy celebrates nostalgia. While the book is painstakingly researched, she was surprised when a reader used modern data analytics to corroborate her empirical research. Using Google's Ngram viewer of the American library, the reader determined that indeed the use of homesickness has declined while the use of nostalgia has increased:
Of course there's a lot more to my wife's argument than is conveyed by a simple graph. Analytics in and of itself isn't going to generate (or displace) the meaning and significance that is uncovered through archival work. But as a complement to traditional humanities scholarship, these digital techniques certainly have a lot to offer.
These three anecdotes are not necessarily the most obvious examples of the way I.T. and the humanities intersect in our university life. But their topicality suggests how omnipresent the digital humanities are in university affairs. We need digital humanities more now than ever to make humanities teaching and research stronger. But in turn we also need the digital humanities to make sense of I.T. and it's growing presence in university life. We may not all have the resources to found digital humanities centers. But there is certainly an argument to be made for creating umbrella organizations to host conversations that address the ongoing concerns that the humanities, I.T., and the larger university share.
Fortunately, the culture of IT, in the university at least, isn't usually as corporate as that vision. We have our share of practitioners who wear suits, and who wax excitedly about books like Who Moved My Cheese, or Seven Habits of Highly Successful People. But the reality is that IT in the University is a lot more than all of that.
On this blog, for example, I've been trying to highlight the digital humanities which are very much a part of I.T. in the university. A nice synopsis of what this IT initiative is can be found in a recent Chronicle article by Kathleen Fitzpatrick. But the fast and short story is that the digital humanities are two things. First, humanities scholars are increasingly using digital tools in their teaching and research. Second, the frameworks and approaches that humanities scholars use offer incredibly insightful perspectives for making sense of what I.T. is, where it should go, and it's role in forwarding the missions of the university.
To forward those activities some universities have established digital humanities centers (a flagship one for example is George Mason's Center for History and New Media). But even on campuses which don't have formal centers, it's easy to uncover how much they can serve (and be served) by university I.T. I'll leave a comprehensive survey of these service roles for a later blog post. But for now I want to list three digital humanities concerns that I came across last week while on my own campus. They aren't necessarily the most powerful examples or most salient digital humanities initiatives on campus (I'm leaving out for example the whole range of activities that our media scholars do in English and Communications -- including but not limited to Michael Wutz's research on emerging 19th century media and Sheree Josephson's research on computer-human interaction). But I draw attention to them simply to illustrate that digital humanities concerns are a pervasive and topical presence on campus even outside of the areas where one would ordinarily expect to find them. (If you don't care about what's happening on my local campus you might skip the italicized stuff below):
1) On Tuesday I was working with some students who were about to read Henkin's fine history of the postal service in 19th century America. To spark their curiosity I mentioned that many of the concerns that we have about emerging media now are echoed in 19th century Americans' reactions to changes in postal services. For example, when the postcard first came out in the middle of the 19th century, Americans expressed worries not unlike those worries we now have about the abbreviated messaging that happens in texting and twittering. We then dwelt on challenges of salutation (which were as much an issue in the postcard as they are in email), which in turn morphed into a discussion of the manner in which proliferating media are eroding traditional institutions of authority (the recent audience disturbance during Weber State's performance of Beethoven's 9th was mentioned as an example). After class, a couple of students noted that it wouldn't be a bad idea to have some classes on netiquette. A digital humanities center could do this and more, Rather than merely teach polite practices for the online world, it could lead us to examine how issues of authority, familiarity, cordiality, and social relations more generally take on new forms in the digital age.
2) On Thursday I met with two Weber State professors who recently published an anthology titled Science Fiction and Computing. (I hope to post a transcription of that conversation here in a few weeks). Like many anthologies, it covers a lot of ground. But one thread that was particularly noteworthy was the insight that science fiction plays an important role in helping readers to sort through the moral challenges that past and present technologies have (and are) presenting us with. While science fiction is sometimes seen as a form of techno-porn or technophilia, it actually also plays an important role in developing and evolving our understanding of IT. It goes without saying that this too is a topical example of the digital humanities at work within our university.
3) My spouse, who recently published Homesickness: An American History, spent five years doing archival research to determine that the once popular sentiment of homesickness has given way to nostalgia. Instead of indulging homesickness, the modern American economy celebrates nostalgia. While the book is painstakingly researched, she was surprised when a reader used modern data analytics to corroborate her empirical research. Using Google's Ngram viewer of the American library, the reader determined that indeed the use of homesickness has declined while the use of nostalgia has increased:
Of course there's a lot more to my wife's argument than is conveyed by a simple graph. Analytics in and of itself isn't going to generate (or displace) the meaning and significance that is uncovered through archival work. But as a complement to traditional humanities scholarship, these digital techniques certainly have a lot to offer.
These three anecdotes are not necessarily the most obvious examples of the way I.T. and the humanities intersect in our university life. But their topicality suggests how omnipresent the digital humanities are in university affairs. We need digital humanities more now than ever to make humanities teaching and research stronger. But in turn we also need the digital humanities to make sense of I.T. and it's growing presence in university life. We may not all have the resources to found digital humanities centers. But there is certainly an argument to be made for creating umbrella organizations to host conversations that address the ongoing concerns that the humanities, I.T., and the larger university share.
Monday, October 31, 2011
Happy Halloween
I went to a Halloween costume party Saturday night. The theme was "Come as your favorite religious figure." Maybe we don't have enough diversity in our university community because (without any coordination) two of us showed up as Steve Jobs.
I'm on the left and my friend Dave is on the right.
I'm on the left and my friend Dave is on the right.
Friday, October 28, 2011
Occupy Park City: Reflections on #opened11
It’s the day after the Open Education conference in Park City. What can I say in a brief blog post to mark that event? I want to thank Brian Jacobs of Akademos for attending the conference and being one of its sponsors. We met while suffering through the trials of studying political theory in grad school. While neither of us has become a practicing political theorist, we’ve been disciplined (for better or for worse) by our common education. Over the years I’ve attended a lot of open-oriented conferences and been exposed to a lot of insightful perspectives. But while that diversity has been good it was gratifying to be there with someone who was familiar with the same disciplinary frameworks I use for making sense of what a social movement like open education is all about.
That isn’t to say that I’ve got it all figured out beyond noting that the open ed movement gathers together a set of people and beliefs and practices that belie easy generalization. This was epitomized on Wednesday when Jim Groome began his presentation by popping out of a tent he’d pitched on stage as a way of drawing connections between the Occupy Wall Street movement and the open education initiative. Jim gave an inspiring account of his teaching which is bold and experimental and seems to engage his students and prompt them to develop new media literacy. But however important that message was, it was overshadowed by the stylistic contrasts between himself and the other featured speaker who was Josh Jarrett, Deputy Director of the Bill and Melinda Gates Foundation. Where Jim presented in an untucked t-shirt, Josh showed up in a blazer. Where Jim flashed slides of Wonder Woman, Josh spoke in sobering terms of budget challenges, demographic changes and educational completion rates. When the presentations ended David Wiley, thanked both speakers and asked the audience to reflect on the contrasts and on how these different archetypes complement and (perhaps sometimes) antagonize one another.
A presenter immediately after those keynotes asked the audience who they most identified with, and the answers varied. Some said Jim, some said Josh, and milquetoasts like me said both (even though I was wearing a blazer). All of this is to say that, like the Occupy Wall Street movement, open education isn’t a phenomenon that is simple to define, and is replete with marked contrasts. Its constituents identify with the underprivileged but the conference was hosted in a rarified and expensive locale. Its constituents are attracted to archetypes of rebellion but the movement’s locus is in one of the more conservative states in the union. It challenges traditional ways of disciplining the faculties but is led in part by a resurging discipline of instructional design. Its advocates celebrate openness and democratization and sharing and the disruption of traditional academic practices. But they promote different degrees of openness, and democratization and disruption. It’s been interesting to see how this coalition has come together and whether it stays together going forward.
Wednesday, October 12, 2011
Openness Talk
If you happen to be going to Educause 2011 in Philadelphia come by the following talk to find out what Chuck Severance has to say about openness and his book Sakai: Free as in Freedom (Alpha). We'll be taking questions from the audience but feel free to e-mail before-hand with any questions you think are particularly worth fielding.
Saturday, October 8, 2011
On the Internet Nobody Should Be a Dog: A Review of Cathy Davidson's Now You See It
In the 45 second Ape In the Midst selective attention
test (you can take it yourself above) participants are asked to focus closely on a video showing
people passing basketballs back and forth.
After the video finishes they are asked to report how many passes were
made. But more importantly, participants
are also asked whether they saw the gorilla.
Many viewers actually miss seeing it.
In her new book Now
You See It, Cathy Davidson uses the exercise to suggest that in focusing
closely on one thing we become blind to other significant events in our
surroundings and that this “attention blindness” is a problem we sorely need to
redress in the 21st century.
For Davidson, the efficiency imperatives of the industrial age drove a
cult of single-tasking that is epitomized in the assembly line and Frederick
Winslow Taylor’s efforts to focus workers' labors on a set of narrow tasks so
as to increase productivity in the work place.
Davidson goes on to argue that inculcating an ethic of mono-tasking no
longer prepares our students for work in the 21st century where
screens increasingly demand attention to multiple inputs.
Davidson never mentions Marx (or even cites him in the
index) but her argument recalls a Marxist analysis: ideology (or the learning and beliefs and the educational
institutions that lend support to that learning and beliefs) help legitimate
particular relations of production. But
as those relations of production change, so eventually must the ideology. In this respect Davidson’s book is a true
wake-up call: as academics (who are in
part stewards and conservators of past knowledge) we might be inclined to
hallow traditional methods of learning.
But in so far as we buy into a marxist framework, Davidson is telling us
that we better evolve if we don’t want to become apparatchiks to an old and
fading way of doing things.
In many ways, I’m persuaded by Davidson’s argument. Having gone through eight years of
increasingly narrow and specialized study in grad school, I exited with a degree
in political theory that was no longer marketable. I’m a walking example of the opportunity
costs and attention blindness that accrue when one focuses for too long and too
hard on one subject. And I know that
there are plenty of other PhDs in archaic disciplines who can appreciate
viscerally what Davidson means when she calls into question the legitimacy and
virtues of mono-tasking.
Graduate students and professors sometimes legitimately feel
that the demands of their profession encourage over-specialization. And along with that, many of us feel a need to
introduce more interdisciplinary courses into the undergraduate curriculum so
students can see the connections between different areas of knowledge. (I
suspect that this is in part what impelled Davidson to move from being an
English professor to being a Professor of Interdisciplinary Studies.) And the
relativists among us understand the need to introduce students to Nietzsche’s
perspectivism and the virtues in seeing the world from multiple coigns of
vantage. More topically, following the
2011 Ig Noble award that was given to John Perry for celebrating structured
procrastination, we know that being distracted by things of lesser importance
can sometimes lead to accomplishments of consequence.
At the same time, however, we also know, that the production filters thrown up by 20th
century mass media have been killed by the internet. We're doing less information filtering than before. As a result it’s more incumbent on us than
ever to resurrect those filters in our capacity as consumers (c.f Clay Shirky in his keynote "It's Not Information Overload It's Filter Failure") The cult of specialization and of
mono-tasking and of filtering may have, as Davidson argues, some historically
specific origins. But some of those
concerns transcend time
and place. After all, filtering, and
confining our focus to a few activities, is what gives us the capacity to build
great things and write (as Davidson has done) interesting books. It’s the difference between us and Fido: we
don’t bark at every passing stimulus.
The now famous New Yorker cartoon that was captioned “On the internet nobody knows you’re a dog” can be rewritten as a caution not to buy Davidson
whole sale: “On the internet nobody
should be a dog.” Fido for sure will bark at the gorilla. But he won’t be able to count
the basketballs!
Friday, October 7, 2011
Sunday, September 18, 2011
Two Minute Lightning Round of Concentration in the Humanities
At the upcoming Digital Humanities Start Up Project Director's Meeting we've been asked to present our projects in two minutes or less. Here's one of my rehearsal attempts to do so. (It's definitely a communicative literacy I still need to hone):
Wednesday, September 7, 2011
Program Or Be Programmed: Code Monkey Responds
First check out this music video titled "Code
Monkey:"
Fun huh? But why is this relevant to a review of
Douglas Rushkoff's Program Or Be Programmed? I'll get to that
in a second. But first some general background:
In Program or Be Programmed Rushkoff argues that technology has biases that encourage
certain behaviors. He describes those biases (for him there
are ten main ones). And then, to make
sure we don’t become unwitting victims of those biases, he prescribes guidelines that will allow us to steer clear of those
biases worst potential social effects.
For example, in Chapter One (which is titled “Always On”) he observes
that computer networks follow their own time.
And because that time doesn’t usually jibe with human time it often
interrupts and intrudes on our thought processes. To remedy that bias we should take care to
moderate our connections to digital devices and “refuse to be always on.” [p.
37] The subsequent nine chapters follow
the same approach albeit for ten other biases.
I’ll refrain from judging the middle chapters mostly because
the tenth, which has the same title as the book, was at once the most
interesting and at the same time the most incomplete. Rushkoff, in an appeal to history, argues
that in an age of print it was those who could read and write who shaped the
world. Similarly, in an age of code, it
is those who program who are defining human experience. So in Rushkoff’s view, coding is rapidly
becoming a new literacy – and those who don’t have it will rapidly become the
subjects of those who do. Here's Rushkoff's two minute video promotion of the book:
As a programmer myself I’m flattered by the power he’s
conferred on my profession. I’ll confess
that in an essay I wrote a while back called Code and Composition, I fell prey
to similarly exaggerated senses about the power which programmers supposedly
wield. And as an instructor of
technology studies I’m half-tempted, following Rushkoff’s warnings to have my
students take a crack at learning Scratch, SIMPLE or LOGOS. Certainly we shouldn’t discount the power
that code is having over our lives. But
we shouldn’t be too quick to assume that just because programmers are the ones
who are writing the code that they are doing so independently without having to
answer to institutions with even more influence. In most software shops they have to
execute a vision that’s been handed to them by designers and product
managers and shareholders.
In short, coders may be implicated in
the digital refashioning of the world.
And their lives may not be as desiccated or lacking in creativity as the
portrait that is offered up in Code Monkey.
And it’s probably a good idea to expose students to what coding is just
so they can get a more hands-on feel for the way code is determining the world
we’re living in. But programmers are
nearly as subject to being programmed as those who don’t. Code Monkey – I think – would agree.
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